How Aura Healer Ziji Kaufman remotely cleared an Opera Singer’s Throat Chakra that became blocked from extreme Anger

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This is a healing I did on a female opera singer,

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or opera singer aspiring to become you know, a

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globally recognized opera singer, and..

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In her early 30's. And I'm constantly.. I've been working

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with this client for quite a while and many times

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I've gotten to a pretty good open front and back throat

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chakra. I seem to always have to

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heal the throat chakra periodically,

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you know, after performances, but also

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after problems in relationships. Problems with

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management. Problems with negotiating with different people.

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agents, managers, recording people.

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and in this particular healing, what was

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unique about this was, this person came in. She

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she came in with a tremendous amount of anger at

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certain events that are happening in

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a particular war. The anger had completely

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frozen the back of the throat chakra. Going all the way out

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to the boundary between the mental and the people body

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(the 3rd and the 4th). There was an element of the throat

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chakra cone that was.. like.. like.. it kept changing

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metals. It went from like tin, to copper, to silver.

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All these metallic shapes as I was trying to transform it

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and erase the anger. There was really tremendous amount of rage.

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It was like frozen. Frozen solid. Like there was no flow.

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There was no ease of energy coming through the throat chakra

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to deliver sound. No joy.. certainly no joy

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in delivering that sound out. In fact

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historically, my client has always had neck

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problems. Always. All kind.. always going to chiropractors and,

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and different massage people, including myself, to heal the neck.

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And now I'm kind of understanding that the

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tendency to get really, really angry, and hold that rage in the back

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of the throat chakra.. I felt it directly.. It went right into my

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neck. It was like pushing really, and it was a

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a tremendous amount of pressure. That was very, very interesting, I knew

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if I could, I would have to dissolve this whole

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frozen and metallic, and rigid back throat chakra, to get

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my client ready for her next singing

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gig. And also, in front of the throat chakra, I saw all of this

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this smoke. She was actually, like, blowing smoke on

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the energy level. It was crazy. So..

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So I really, I had to work really, really hard to

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get her back to a good enough state

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to deliver this next performance which is coming up. So..

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So ultimately I was able to dissolve. I was able to

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dissolve that big.. it was like a big anger

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metallic energy. But then there was smaller anger inside..

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there was like mini chakras inside the big vortex. And those

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smaller vortexes inside were like, you know,

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arguments with her spouse. And

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again, arguments with managers and agents, and

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and, etc.,etc. And so there were a bunch of different

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kinds of blocks keeping her from..

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from feeling like she was ready to deliver

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you know, the best that she can deliver. She knows that she can deliver amazing

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vocal performance. But you know, life..

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life continues, and we have to learn.. a singer has to

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learn, you know, that the singing is

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connected to every aspect of self expression.

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And also connected to thoughts, and opinions, and attitudes.

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And also tendencies toward different

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emotions, like rage, and you know, pain and suffering,

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and all of that. And all of that keeps you from

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that joy. That's what.. the joy in the middle of the throat

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chakra. Which is again, as I've described in other videos, this

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central chakra line going from the crown to the root, it goes

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up the middle of the body, and that's where the front and the back of

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the throat chakra should meet. And right in the middle there, where they meet..

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my goal, if I can get there during a healing, is for

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that area to be joyful, to be happy.

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That's when the songbird, that's when the beautiful, majestic

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sounds will start to.. to effortlessly

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radiate out of the singers voice. So..

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So once I dissolved the metallic thing, and things started moving correctly,

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then it was.. I

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kept moving.. I kept working, because

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still I got the sense that she wasn't quite

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in her singing consciousness. At a certain point in the healing I finally

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saw her on stage in my.. in her own consciousness

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and it was a huge audience. Like.. almost like Carnegie Hall sized audience.

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..And she never played Carnegie Hall, but, in her.. in

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the vision, that's what I saw. And at first

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she was singing very nicely cause I had dissolved all of these blocks

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more or less. And.. But she still had pangs.. There were little

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pangs of anger coming from the back. And a little smoke periodically

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while she was also singing very nicely, but still she wasn't quite

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completely there. And finally, I kept going.. I kept going

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with it.. Kept trying to focus.. focus the throat chakra

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out to the audience. And then I got a vision of

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her looking at a couple of people in the audience. And..

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And she saw how happy they were. And they were radiating

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you know, light, and heart, and excitement back

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to her. And that, all of a sudden started transforming her. At

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that point, it was really cool. She started seeing like everybody in the

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audience as like, a family member, or relative.

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And her consciousness grew so large,

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as if, you know, she was singing to hundreds of people

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that she knew.. and relatives. And so now it became

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just this personal love.

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This, you know, singing.. She was completely

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in the moment, in the flow, and

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you know, just totally forgetting about the events of the day, and

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problems she's having. And now she's embracing this

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Carnegie Hall sized audience full of people she knows. And

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relatives and family members. And she's singing just with this incredible

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gift.. to give these people.. to put smiles

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on these people's faces. So we'll see, you know,

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quite a lot of times, she comes back to me after I heal her

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throat chakra from this and that.. This argument, and this relationship thing,

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and this agent thing. But this

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anger at this particular war,

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and also how much pressure was coming into her.. the back of her neck and the back of my

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neck as I was healing it. Cause I feel everything. When I tune into somebody,

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I'm feeling everything that they're feeling, because I take it into my

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aura, and then dissolve it. So this was new.. a new

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dimension of the neck issue, and also the

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rage that this person can muster..

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to.. can bring forth. To really

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take away her attention from her

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kraft. The most important thing, is to be able to connect the heart

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to your performance. Alright.. And

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once that comes in, you're like.. you personally are behind

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the performance. You personally are loving

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sharing you're energy with the audience and the performance. So

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this is not only for singers, it's for every kind of performance.. it's also for public

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speakers, anybody who deals with the public in general. So...

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Alright...