How healer Ziji Kaufman remotely cleared an Opera Singer’s Throat Chakra that became blocked from extreme Anger

This is a healing I did on a female opera singer,

or opera singer aspiring to become you know, a

globally recognized opera singer, and..

In her early 30's. And I'm constantly.. I've been working

with this client for quite a while and many times

I've gotten to a pretty good open

front and back throat chakra.

I seem to always have to

heal the throat chakra periodically,

you know, after performances, but also

after problems in relationships. Problems with

management. Problems with negotiating with different people.

agents, managers, recording people.

and in this particular healing, what was

unique about this was, this person came in. She

she came in with a tremendous amount of anger at

certain events that are happening in

a particular war. The anger had completely

frozen the back of the throat chakra. Going all the way out

to the boundary between the mental body and the people body

(the 3rd and the 4th). There was an element of the throat

chakra cone that was.. like.. like.. it kept changing

metals. It went from like tin, to copper, to silver.

All these metallic shapes as I was trying to transform it

and erase the anger. There was really tremendous amount of rage.

It was like frozen. Frozen solid. Like there was no flow.

There was no ease of energy coming through the throat chakra

to deliver sound. No joy.. certainly no joy

in delivering that sound out. In fact

historically, my client has always had neck problems.

Always. All kind.. always going to chiropractors and,

and different massage people, including myself, to heal the neck.

And now I'm kind of understanding that the

tendency to get really, really angry, and hold that rage in the back

of the throat chakra.. I felt it directly.. It went right into my

neck. It was like pushing really, and it was a

a tremendous amount of pressure. That was very, very interesting, I knew

if I could, I would have to dissolve this whole

frozen and metallic, and rigid back throat chakra, to get

my client ready for her next singing

gig. And also, in front of the throat chakra, I saw all of this

this smoke. She was actually, like, blowing smoke on

the energy level. It was crazy. So..

So I really, I had to work really, really hard to

get her back to a good enough state

to deliver this next performance which is coming up. So..

So ultimately I was able to dissolve. I was able to

dissolve that big.. it was like a big anger

metallic energy. But then there was smaller anger inside..

there was like mini chakras inside the big vortex. And those

smaller vortexes inside were like, you know,

arguments with her spouse. And

again, arguments with managers and agents, and

and, etc.,etc. And so there were a bunch of different

kinds of blocks keeping her from..

from feeling like she was ready to deliver

you know, the best that she can deliver. She knows that she can

deliver amazing vocal performance. But you know, life..

life continues, and we have to learn.. a singer has to

learn, you know, that the singing is

connected to every aspect of self expression.

And also connected to thoughts, and opinions, and attitudes.

And also tendencies toward different emotions,

like rage, and you know, pain and suffering,

and all of that. And all of that keeps you from

that joy. That's what.. the joy in the middle of the throat

chakra. Which is again, as I've described in other videos, this

central chakra line going from the crown chakra to the root chakra, it goes

up the middle of the body, and that's where the front and the back of

the throat chakra should meet. And right in the middle there, where they meet..

my goal, if I can get there during a healing, is for

that area to be joyful, to be happy.

That's when the songbird, that's when the beautiful, majestic

sounds will start to.. to effortlessly

radiate out of the singers voice. So..

So once I dissolved the metallic thing, and things started moving correctly,

then it was.. I

kept moving.. I kept working, because

still I got the sense that she wasn't quite

in her singing consciousness. At a certain point in the healing I finally

saw her on stage in my.. in her own consciousness

and it was a huge audience. Like.. almost like Carnegie Hall sized audience.

..And she never played Carnegie Hall, but, in her.. in

the vision, that's what I saw. And at first

she was singing very nicely cause I had dissolved all of these blocks

more or less. And.. But she still had pangs.. There were little

pangs of anger coming from the back. And a little smoke periodically

while she was also singing very nicely, but still she wasn't quite

completely there. And finally, I kept going.. I kept going

with it.. Kept trying to focus.. focus the throat chakra

out to the audience. And then I got a vision of

her looking at a couple of people in the audience. And..

And she saw how happy they were. And they were radiating

you know, light, and heart, and excitement back

to her. And that, all of a sudden started transforming her. At

that point, it was really cool. She started seeing like everybody in the

audience as like, a family member, or relative.

And her consciousness grew so large,

as if, you know, she was singing to hundreds of people

that she knew.. and relatives. And so now it became

just this personal love.

This, you know, singing.. She was completely

in the moment, in the flow, and

you know, just totally forgetting about the events of the day, and

problems she's having. And now she's embracing this

Carnegie Hall sized audience full of people she knows. And

relatives and family members. And she's singing just with this incredible

gift.. to give these people.. to put smiles

on these people's faces. So we'll see, you know,

quite a lot of times, she comes back to me after I heal her

throat chakra from this and that.. This argument, and this relationship thing,

and this agent thing. But this

anger at this particular war,

and also how much pressure was coming into her.. the back of her neck and the back of my

neck as I was healing it. Cause I feel everything. When I tune into somebody,

I'm feeling everything that they're feeling, because I take it into my

aura, and then dissolve it. So this was new.. a new

dimension of the neck issue, and also the

rage that this person can muster..

to.. can bring forth. To really

take away her attention from her

kraft. The most important thing, is to be able to connect the heart

to your performance. Alright.. And

once that comes in, you're like.. you personally are behind

the performance. You personally are loving

sharing you're energy with the audience and the performance. So

this is not only for singers, it's for every kind of performance.. it's also for public

speakers, anybody who deals with the public in general. So...

Alright...